"West Side Story" is an icon of American popular culture. An update of Shakespeare's "Romeo and Juliet" with a plot that addresses issues of youth violence, racism and hatred, the show remains as topical today as when it opened in 1957. We'll first focus on the show's creation by four driven collaborators: Jerome Robbins, Leonard Bernstein, Arthur Laurents and Stephen Sondheim. Next, we'll consider the music, placing it in the context of American music of the time and how it helps with characterization and dramatic progress in the show. Finally, we'll look at the two films (1961, 2021) and the show's continuing international legacy.

Instructor bio: Paul Laird is professor emeritus of musicology at the University of Kansas, where two of his teaching specialties were Baroque music and music of the United States. He has published widely on such topics as Leonard Bernstein and American musical theater and won the 2021 KU Chancellor's Club Career Teaching Award. Paul has taught many Osher classes since the program's inception at KU.

The 1950s were a very special decade in the history of the musical with such figures as Rodgers and Hammerstein, Lerner and Loewe, Frank Loesser, Leonard Bernstein, and Jule Styne writing such shows as The King and I, The Sound of Music, My Fair Lady, Guys and Dolls, West Side Story, and Gypsy for the Broadway stage. This will be survey of the decade's most popular shows, the people who wrote them, and the stars who played in them.

Instructor bio: Paul Laird is a Professor Emeritus of Musicology who taught at KU for thirty years. He has published widely on the American musical theater and taught dozens of Osher courses over the last three decades.

Instructor bio: Karl Menninger is a retired government lawyer who seems to have found an avocation teaching courses on disability law, citizenship, comedy and James Bond, among other topics.