In the search for originality, some artists push the envelope too far and pay the price or use it for self-promotion. In Broadway and Hollywood today, political correctness and sensibilities on race, consent and sexuality have called for revisionism. Is it really a step forward? Should our cultural heritage be rewritten to avoid issues of domestic violence, gender roles, religion and prejudice? Buckle up for a course full of scandals, anecdotes and stories and the instructor's own experience in the music business!

Instructor bio: Emanuel Abramovits is a mechanical engineer with an MBA and has been a concert promoter since 2000, directly involved in many events by international artists, like Itzhak Perlman, Gustavo Dudamel, Sarah Brightman, Roger Hodgson, ASIA, Journey, Kenny G and many more. He designed and staged many original orchestral events, including an Event of the Year winner and several world premieres.

Since the 1890s, when Americans began to develop their own traditions in classical music, composers have recognized the dilemma of creating the "American" sound. We'll explore how not only classical musicians, but also Broadway and Hollywood composers, followed parallel paths in creating sounds that have been defined as evocative of these lands and its people. Aaron Copland, George Gershwin, William Grant Still, Florence Price, Alex North, Elmer Bernstein, Jon Batiste and others will be the protagonists in this lecture, supported with audiovisuals and anecdotes.

Instructor bio: Emanuel Abramovits is a mechanical engineer with an MBA and has been a concert promoter since 2000, directly involved in many events by international artists, like Itzhak Perlman, Gustavo Dudamel, Sarah Brightman, Roger Hodgson, ASIA, Journey, Kenny G and many more. He designed and staged many original orchestral events, including an Event of the Year winner and several world premieres.