This required typography course develops an understanding of two-dimensional design space and the unique nature of typographic communication principles.September 4, 2024 to December 11, 2024, T*820
This required typography course develops an understanding of two-dimensional design space and the unique nature of typographic communication principles.This course contains no sessions
The emphasis of this course is on imaginative pre-production for an evolving world of moving images.Students will develop their storytelling skills through creative writing and pre-visualization exercises for animation,game, live action, and new media.This course contains no sessions
This course introduces students to time-based animation through basic concepts and theories of compositing, digital workflow, sequencing, rendering, file management and organization. Students also communicate through motion graphic design, compositing 'puppeting,' and other digital animation practices.January 16, 2025 to May 8, 2025, ONL
This class introduces students to the basic concepts and possibilities of computer animation availablethrough Maya. Students develop a basic understanding of Maya as a program, along with such generalanimation concepts as modeling, texturing, rendering, fundamental motion and 'point of view' (camerapositioning).January 13, 2025 to May 7, 2025, W*003 January 14, 2025 to May 8, 2025, W*003
Students explore the fundamental principles of animation, creating convincing character through motion, involving timing, weight, physics and body mechanics. Students must fully understand the basics in order to create convincing animation in any medium.January 13, 2025 to May 9, 2025, W*008
This course introduces students to the vocabulary and tools to analyze and appreciate the art of filmmaking. Through weekly screenings, readings, discussions, and hands-on camera exercises, students develop critical skills and language related to the production and comprehension of contemporary filmmaking, including production roles, terminology, techniques and an introduction to history and theory.This course contains no sessions
This course focuses on the fundamentals of visual storytelling by engaging students in a series of individual and collaborative exercises designed to develop an understanding of the camera, lenses, and lights, non-linear editing techniques, and a basic understanding of sound in relation to image. Students make three short films exploring fiction, non-fiction and experimental forms.January 14, 2025 to May 8, 2025, W*009
Learn the essential skills that every fashion designer needs to know. Learn the terminology, drafting, machine sewing and get to know the proportions of the human body while making garments for yourself or your friends. Successful completion of this course will have students prepared to study fashion design at the college level.January 13, 2025 to April 21, 2025, T*707
This studio course introduces students to the interrelated nature of 2D and 3D forms, concepts, andmaterials, through a series of design exercises that explores the sensory nature of ideas from flat andgeometric to physical and tactile.January 13, 2025 to May 10, 2025, C*108 and W*004
This course is an introduction to the principles, vocabulary and mechanics of three-dimensional design.The course develops visual aesthetic sensitivity to three-dimensional line, plane, form and space.January 15, 2025 to May 7, 2025, C*108
This course will familiarize the student with basic construction and fabrication techniques of the woodand metal shops at CCS. Through the completion of a series of small projects, students will beintroduced to the majority of tools and machines within the shops. Students will also learn a widevariety of methods and techniques needed to safely complete future projects.This course contains no sessions
Students will be introduced to the theory and practice of color through observation, experimentation,readings, screenings, discussion, and creative projects.This course contains no sessions
In this course students are introduced to color theory through systems that have beendeveloped throughout history as a means of understanding the perceptual impact of color interaction.Studio projects will engage the study of color pigments, from natural to synthetic sources, color as bothmaterial and phenomena in the natural world and the context of color in a variety of differentiatingmedia and printing processes.January 13, 2025 to May 7, 2025, W*207
In this introductory drawing course, students define the basic methods and principles of appliedvolumetric drawing with perspective and form, and rapid concept development through the visualdescription of imagined and observed objects using line variance, value, and composition.January 16, 2025 to May 8, 2025, ONL
In this introductory drawing course, students define the basic methods and principles of applied volumetric drawing with perspective and form, and rapid concept development through the visual description of imagined and observed objects using line variance, value, and composition.This course contains no sessions
SOLD OUT! In this course, students are exposed to a variety of drawing experiences, methods and materials, usingline, light and volume to explore the human form. This includes a diverse group of models enablingdialog and engagement on a range of body types, porportion, value and shape.This course contains no sessions
Students will develop a process and skills in using painted value and color to define composition, form, light, and space depicting diverse cultures and perspectives. This is in order to employ the basics of professional illustrative working methods using water and oil-based painting mediums with additional fundamental media.January 15, 2025 to May 7, 2025, W*307
This course is designed to teach students methods for mechanical and freehand perspective drawing.Topics covered are volumetric drawing, equal and unequal spacing in perspective, one point, two point perspective, three point perspective, inclined perspective, ellipses, and tonal values as they relate toatmospheric perspective.January 14, 2025 to May 8, 2025, W*206
In this course, students are introduced to the technical drawing and graphic communication skillsrequired for success in the field of interior design.This course contains no sessions
This course emphasizes further exploration of technical illustration approaches that can be combinedto produce informative presentations. Focus is on perspective techniques, section and isometricdrawing, developing color plans, elevations and illustrations for presentations.January 13, 2025 to April 30, 2025
Material culture is the study of human-made objects and visual artifacts and how these shape society.This course explores the intricate relationship between objects, culture, and creativity. Blending both theoretical insights and practical applications, first-year artists and designers will begin to situate their creative practice within socio-cultural contexts and theoretical perspectives. Through lectures, seminar discussions, practical workshops, and field trips, students will investigate the meanings, values, and provenance associated with material objects and artworks, the processes leading to their creation, and the ways in which objects shape identity, influence social norms, and contribute to historical narratives.This course contains no sessions
Using the computer as a tool, students develop an understanding of digital photographic imagingcapabilities and related outsourcing options.January 13, 2025 to May 7, 2025
This course introduces students to the fundamentals of the four phases of the design process. Studentsshould demonstrate a basic understanding of problem solving, user needs, and if applicable theelements of diversity, equity, and inclusive design.September 3, 2024 to December 10, 2024, ONL
This course introduces students to the fundamentals of the four phases of the design process. Students should demonstrate a basic understanding of problem solving, user needs, and if applicable the elements of diversity, equity, and inclusive design. This is part 1 of a two part course offered at DASH, Miami.August 20, 2024 to January 16, 2025, DASH ID
This course introduces students to the fundamentals of the four phases of the design process. Students should demonstrate a basic understanding of problem solving, user needs, and if applicable the elements of diversity, equity, and inclusive design. This is part 2 of a 2 part course offered at DASH, Miami.January 21, 2025 to June 6, 2025, DASH ID
As an introduction to design methodologies, students will develop and practice a basic understanding ofmethods used to translate 2-D sketch ideas into 3-D volumes and surfaces. This will be accomplished bypracticing fundamental drafting methods, practical ideation techniques, and basic mock-upconstruction.This course contains no sessions
Building on the 2-D drawing and 3-D translation methods learned in DTR 125 this course introducesstudents to the fundamental design process used by transportation designers.This course contains no sessions
In this introductory course, students learn how to express their design ideas in a concise, compelling andefficient way. Emphasis is on analog media such as pen, markers and colored pencils. Instructors stressthe importance of accurate perspective drawing and clear rendering of form as a lead up to professionalvisual communication techniques.This course contains no sessions
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